Theatres & Cinemas :: Teatros & Cines (IV)

SilverScreener: A Modeling Approach to Movie Screens Management
Author(s): Sanjeev Swami, Jehoshua Eliashberg, Charles B. Weinberg
Source: Marketing Science, Vol. 18, No. 3, Special Issue on Managerial Decision Making (1999),
pp. 352-372

Peter Behrens's Highest Kultursymbol, The Theater
Author(s): Stanford Anderson
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 103-134

On Art for the Stage
Author(s): Peter Behrens
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 135-142

Modernity and Reform, Heinrich Tessenow and the Institut Dalcroze at Hellerau
Author(s): Marco De Michelis and Vicki Bilenker
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 143-170

On the Unity of the Arts and the Early Baroque Opera House
Author(s): Irving Lavin
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 1-20

Dance Notation
Author(s): Ann Hutchinson Guest
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 203-214

Meditations on the Frame
Author(s): José Ortega y Gasset and Andrea L. Bell
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 185-190

Behavior, Performance, and Performance Space
Author(s): Richard Schechner
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 97-102

Representing the Body Politic, The Theater of Manhood in Classical Athens
Author(s): John Winkler
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 215-228

Notes on Set Design and Cinema
Author(s): Brian Henderson
Source: Film Quarterly, Vol. 42, No. 1 (Autumn, 1988), pp. 17-28

Theatres & Cinemas :: Teatros & Cines (III)

The Emergence of Filmic Artifacts: Cinema and Cinematography in the Digital Era
Author(s): Stephen Prince
Source: Film Quarterly, Vol. 57, No. 3 (Spring 2004)

The Roman Theater at Carthage
Author(s): Karen E. RosSource: American Journal of Archaeology, Vol. 100, No. 3 (Jul., 1996)

The Scaenae Frons of the Theater of Pompey
Author(s): Frank B. SearSource: American Journal of Archaeology, Vol. 97, No. 4 (Oct., 1993)

The Ancient Roman Roofed Theater
Author(s): George Izenour
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990)

The Munich Festival Theater Letters
Author(s): Sophie Gobran
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990)

The Silent Movie Theater
Author(s): Laurence GoldsteinSource: The Iowa Review, Vol. 18, No. 2 (Spring - Summer, 1988)

The Movie Palace and the Theatrical Sources of Its Architectural Style
Author(s): Charlotte Herzog
Source: Cinema Journal, Vol. 20, No. 2 (Spring, 1981)

The Ideal Film Theater: AFI's Attempt
Author(s): Michael Webb
Source: Design Quarterly, No. 93, Film Spaces (1974)

The Structural System of Adler and Sullivan's Garrick Theater Building
Author(s): Carl W. Condit
Source: Technology and Culture, Vol. 5, No. 4 (Autumn, 1964)

The New Theater, Philadelphia, 1791-1792
Author(s): Harold Kirker
Source: Journal of the Society of Architectural Historians, Vol. 22, No. 1 (Mar., 1963)

Theatres & Cinemas :: Teatros & Cines (II)

Henry Dreyfuss (1947) Four-Square Theater
Hollywood Quarterly, Vol. 2, No. 4

John Houseman (1956) How-and What-Does a Movie Communicate?
The Quarterly of Film Radio and Television, Vol. 10, No. 3

Larry Rubin (1965) Neighborhood Theater
The Massachusetts Review, Vol. 6, No. 4

Timothy Verdon (1986) Donatello and the Theater: Stage Space and Projected Space in the San Lorenzo Pulpits
Artibus et Historiae, Vol. 7, No. 14

Tadao Ando and Kazumi Futagawa (1990) Kara-za, A Movable Theater
Perspecta, Vol. 26, Theater, Theatricality, and Architecture

John E. Bowlt (1990) Natalia Goncharova and Futurist Theater
Art Journal, Vol. 49, No. 1, From Leningrad to Ljubljana: The Suppressed Avant-Gardes of East-Central and Eastern Europe during the Early Twentieth Century

Wiel Arets (1992) Dance Theater, Delft
Assemblage, No. 17

Adrienne L. McLean (2003) "New Films in Story Form": Movie Story Magazines and Spectatorship
Cinema Journal, Vol. 42, No. 3

Gregory A. Waller (2005) Imagining and Promoting the Small-Town Theater
Cinema Journal, Vol. 44, No. 3

Denis Saillard (2007) Le théâtre de boulevard à la Belle Époque en France et en Italie (Popular Theatre during the Belle Époque in Fance and Italy)
Vingtième Siècle. Revue d'histoire, No. 93

Theatres & Cinemas :: Teatros & Cines (I)

Shakespeare Quarterly (1954) Current Theater Notes
Shakespeare Quarterly, Vol. 5, No. 1

Oscar Büdel (1961) Contemporary Theater and Aesthetic Distance
PMLA, Vol. 76, No. 3

John M. Blum (1969) Cinema for Whom?
Journal of Aesthetic Education, Vol. 3, No. 3, Special Issue: Film, New Media, and Aesthetic Education

Elsa Gress and Tom O'Horgan (1970) An Interview with Tom O'Horgan on Aspects of the Contemporary Theater
Leonardo, Vol. 3, No. 3

Architecture and the Public Realm: Site Projects, Inc.: A Portfolio (1982/1983)
SubStance, Vol. 11/12, Vol. 11, no. 4 - Vol. 12, no. 1, Issue 37-38: A Special Issue fromthe Center for Twentieth Century Studies

L. Richardson, Jr. (1987) A Note on the Architecture of the Theatrum Pompei in Rome
American Journal of Archaeology, Vol. 91, No. 1

Geraldo Gomes (1995) Artistic Intentions in Iron Architecture
The Journal of Decorative and Propaganda Arts, Vol. 21, Brazil Theme Issue

Roann Barris (1998) Culture as a Battleground: Subversive Narratives in Constructivist Architecture and Stage
Journal of Architectural Education (1984-), Vol. 52, No. 2

Juliet Koss (2003) Bauhaus Theater of Human Dolls
The Art Bulletin, Vol. 85, No. 4

Stephen Bottomore (2006) Cinema Museums: A Worldwide List
Film History, Vol. 18, No. 3, Film Museums