Tuesday 31 May 2011

Theatres & Cinemas :: Teatros & Cines (IV)

SilverScreener: A Modeling Approach to Movie Screens Management
Author(s): Sanjeev Swami, Jehoshua Eliashberg, Charles B. Weinberg
Source: Marketing Science, Vol. 18, No. 3, Special Issue on Managerial Decision Making (1999),
pp. 352-372

Peter Behrens's Highest Kultursymbol, The Theater
Author(s): Stanford Anderson
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 103-134

On Art for the Stage
Author(s): Peter Behrens
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 135-142

Modernity and Reform, Heinrich Tessenow and the Institut Dalcroze at Hellerau
Author(s): Marco De Michelis and Vicki Bilenker
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 143-170

On the Unity of the Arts and the Early Baroque Opera House
Author(s): Irving Lavin
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 1-20

Dance Notation
Author(s): Ann Hutchinson Guest
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 203-214

Meditations on the Frame
Author(s): José Ortega y Gasset and Andrea L. Bell
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 185-190

Behavior, Performance, and Performance Space
Author(s): Richard Schechner
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 97-102

Representing the Body Politic, The Theater of Manhood in Classical Athens
Author(s): John Winkler
Source: Perspecta, Vol. 26, Theater, Theatricality, and Architecture (1990), pp. 215-228

Notes on Set Design and Cinema
Author(s): Brian Henderson
Source: Film Quarterly, Vol. 42, No. 1 (Autumn, 1988), pp. 17-28

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